Konserter RSS


Fredag 27. jan 2012 – Kl. 21.00 / 150kr / 18 år [Facebook-event]

Pete Molinari:
When Bruce Springsteen was asked by Edward Norton during his interview at the Toronto Film Festival about what music he was listening to these days his reply was simple and direct: “Pete Molinari – and if you don’t know anything about him, he’s great”.

Praise indeed, but in many ways hardly surprising. The Boss is well known for keeping his ear to the ground when it comes to new sounds and considering Pete’s nomination as Best Newcomer at UK rock magazine’s Mojo Awards, his appearance on BBC’s Later With Jools Holland and the critical acclaim on both sides of the Atlantic (a recent residency in LA was a huge success) for latest album A Train Bound For Glory it was never going to be too long before the man from New Jersey clocked the boy from Chatham.

If you haven’t done so yourself, give him a try. You’ll be in good company.

www.petemolinari.co.uk

Amelia White:
Raised In Virginia, and based in Nashville, Amelia White cut her musical teeth in the New England area, in the same scene that produced Mary Gauthier, Lori McKenna and Sarah Borges. Her music has been described as hard rocking -folkin -alt-art country… Her Albums BLUE SOUVENIRS and BLACK DOVES (funzalo Records 2006) put her on the map with critical acclaims nationwide, steady non-com radio play, appearances on E-Town and NPR’s All Songs Considered and various TV placements. … the most current being a spot on FX JUSTIFIED …an episode which features Dave Alvin…..Amelia’s latest album release, MOTORCYCLE DREAM, is available Summer 2009.
MORE ABOUT AMELIA WHITE
“The songs come out of me hard and heavy– regularly. They walk the line between Neo Folk, raw well made rock, and rootsy pop. They have a lot of heart, and a good dose of intellect, and every few songs have a political and social consciousness….sometimes you have to listen twice to get em, though some can easily grab hold of you like an old hank williams. Some call them Indie Country, some Americana, Some Folk Rock. To me they are the stories of my life and love and what I see in my friends eyes, strangers stories. they are miniature 3-3and1/2 minute films. Writing to music comes to me like breathing and or eating, and its as pleasurable upon completion as great sex.”

Now with a new album in hand entitled MOTORCYCLE DREAM Amelia continues to prove that she’s a prolific writer with something to say and intensity to her cinematic lyrics that will stand the test of time. She’s already attracted a partnership with Art Ford Music Agency (L.A.) to shop the new tunes to TV and Film. MOTORCYLCE DREAM was recorded mostly live in Nashville with Producer Neilson Hubbard and a small core band of her favorite Nashville and Boston Players, most notably JJ Jackson (Dylan) Marco Giovino (Glen Tilbrook) and Russell Chudnofsky (Lori McKenna). Two of the 11 tracks were produced and recorded by Lex Price.

“My band lately walks the line between a caveman airplane up in the sky at high speed almost ready to fall apart, and a fine glimmering jewel…”

MOTORCYCLE DREAM explores addiction, political and personal bullies, redemption, stranger’s heart-aches, and new love. Amelia is known for her unadulterated live performances and charisma. She is a true artist and will continue to write and play her songs regardless of lack of funding, current trends, or gas prices.

ARTIST PRESS ITEMS
“Ebullient choruses and complicated moods Literate verse and ravaged guitars and a level of composition and craftsmanship that brings to mind Lucinda Williams, Tom Petty, and Ryan Adams.”
Joan Anderman – Boston Globe

“Literate and raw…White’s spirited live shows are unique and unadulterated…hard to resist”
Seattle Stranger

“Love songs give way to landscapes, both confesstional and wider than herself, with details that never intrude on the sonic thrust.”
Roy Kasten – No Depression

“Its no wonder that Amelia White is being touted as the next Lucinda Williams…but White has her own strong songs, and strong style”
Washington Post

www.ameliawhite.com

Onsdag 22. feb 2012 – Kl. 20.00 / 150kr / 18 år [Facebook-event]

Leatherface:
“It’s all about the sound—you know, making the guitar go aarrrraaaaaarrrgggh.” Frankie Stubbs

It’s been said that there is no underground anymore, that as soon as a band get big enough to be influential, the mainstream press swarms all around the band and leaves them an over-exposed mess. Then, along comes Leatherface and blows all that cynicism right out of the water. After sixteen years, a half-dozen studio albums, one live album, two discographies, and countless seven-inches and twelve-inches and compilation tracks on a dozen or so record labels, Leatherface still reigns as one of the most powerful and most influential punk rock bands that are still active. And they’re still lodged safely in the underground. So how did they do it? Leatherface seems to have been built on a series of accidents and coincidences.

It was 1988, in Sunderland, England. Dickie Hammond played a Gordon Smith guitar. He wanted to be in a band with Frankie Stubbs, who also played a Gordon Smith. Beyond the fact that they both played on the same type of handmade guitar, they had little else in common musically, so they found a way to play two completely different things and make it sound good. They recruited drummer Andy Laing and bassist Stuart Schooler and started to put melodies to the chaos and chainsaws of the guitars. They practiced in Frankie’s roofless garage, when it wasn’t raining. They sold enough magic mushrooms to buy Skipper One (their first touring van). It was agreed that they’d all sing. Frankie was the only one who actually sat down and wrote lyrics, though, so Frankie became the singer. His voice sounded like gravel thrown onto the chainsaws of the guitars, but it also had a deep, soulful quality that matched the melodies. And through this, a whole new style of punk rock was born.

Fast forward several years. Leatherface releases the rough and respectable, classic hardcore albums Cherry Knowle and Fill Your Boots. Stu Schooler leaves the band and, after a series of changes, Andy Crighton becomes the bassist. Leatherface signs to a smaller offshoot of a major label (Seed, an imprint of Atlantic), release the immaculate and one-day-to-be seminal album, Mush. The major label, unable to find a college radio hit out of Mush, relegates it to the bargain bin. A shattered Leatherface pulls it together in time to record Minx, then breaks up. Andy Crighton goes on to join the pop-punk legends Snuff. Frankie goes on to play in the bands Pope and Jesse. Dickie forms Dr. Bison. In the meantime, their albums spread gradually through punk communities. Their sound influences a new generation of punk bands like Dillinger Four, Hot Water Music, and Avail. Eventually, Dickie convinces the guys to get back together as a band, but he inexplicably doesn’t join the newly reformed Leatherface. Still, Frankie and Andy Laing pick up the reins and steer Leatherface back into the studio. There they record their half of a split album with Hot Water Music for BYO Records. On that split, they include the song “Andy,” a touching tribute to Andy Crighton, who committed suicide in 1998. BYO rereleases Cherry Knowle. Leatherface tours the US twice, where they’re obligated to open up for the bands that they inspired.

Leatherface then records a new album, Horsebox, and BYO also releases The Last: a collection of songs that Leatherface recorded before their 1993 breakup, along with some of Frankie’s material from Pope. Again, they tour the US. Again, they open up for bands they influenced. And, all the while, the legend grows. And now, after all the bruises and broken down vans, the tours and rotating-door bassists, all the lumps and the chainsaws and all the growls they could muster, Leatherface has released what could be their best album yet, Dog Disco. It’s got all the elements that have made the legend. From the first notes of track one, the melodies creep out and hook you. Frankie’s lyrics are still heartbreaking, still wise, still beautiful. His voice may have gotten raspier, but there’s something more to it now. It’s still safe to compare him to Lemmy from Motorhead or to Jake Burns, but listen closer. There’s a little bit of Sam Cooke in there. A little bit of fat Elvis. The guitars still seem to be coming from two completely different points but racing towards a head-on collision. The album still works as an album, building tension, speeding up, and when it seems that everything will explode, they slow things down enough for you to regroup, to get your wits about you, and then they’re off again. Twelve songs later, it’s still all about the music—you know, everything goes aarrrraaaaaarrrgggh.

www.leatherface.biz
www.facebook.com/pages/Leatherface

The Monotrons:
En trio fra Halden som starta opp i Mars 2010. Egil Pinås (guitar,voc), Jens Tore “fisken” Standerholen (drums) og Cato Haakenby (bass).

www.facebook.com/pages/The-Monotrons
www.myspace.com/themonotrons

Torsdag 8. nov 2012 – Kl. 18.00 / 50kr / 18 år [Facebook-event]

- TBA
- TBA
- TBA
- TBA
- TBA

Fredag 9. nov 2012 – Kl. 20.00 / 100kr / 18 år [Facebook-event]

- TBA
- TBA
- TBA
- TBA
- TBA

Lørdag 10. nov 2012 – Kl. 20.00 / 100kr / 18 år [Facebook-event]

- Göttemia (Halden, NO)
- TBA
- TBA
- TBA
- TBA

Tirsdag 25. des 2012 – Kl. 20.00 / 150kr / 18 år [Facebook-event]